"Danket dem Herren, denn er ist" (#164)

The title seems to come from the Psalms.  Psalm 106:1, 107:1, and 136:1 are all some variation of "Danket dem Herrn, denn er ist freundlich und seine Güte währet ewiglich" ("Give thanks to the LORD, for he is good, for his steadfast love endures forever").

8' and 4'

"Nun ruhen alle Wälder" (#163)

This is similar to the hymn tune "O Welt, ich muss dich lassen."

16' and 8'

"Werde munter, mein Gemüte" (#162)

"Christ, der du bist der helle Tag" (#161)

8' only

"Gott des Himmels und der Erden" (#160b)

"Gott des Himmels und der Erden" (#160a)

The melody of the first phrase matches the meaning in that "des Himmels" ("of heaven") is sung to the highest notes and "der Erden" ("of the earth") is sung to the lowest notes.

Reminder that the little lines above and below the staff in the first set of alternate notes mark where individual instances of alternate notes abut

"Ich dank' dir schon durch deinen" (#159)

It seems that in the first set of alternate notes, the third phrase ends a measure sooner.  This is what I did, but I'm not sure it's exactly what Telemann intended.

"Aus meines Herzens Grunde" (#158)

There have been instances where the alternate notes make the tunes longer, but I think this is the first instance where they make the tune shorter.

This tune has the highest number of sets of alternate notes so far.

16', 8', 4'

"Warum sollt' ich mich denn grämen" (#157c)

16', 8', 4'

"Warum sollt' ich mich denn grämen" (#157b)

16' and 8'

"Warum sollt' ich mich denn grämen" (#157a)

16', 8', 4'

"Wenn dich Unglück thut" (#156)

16' and 8'