"Es ist genug" (#210)

"Kein Stündlein geht dahin" (#209)

It's a bit odd that the last note in the bass clef lasts two beats longer than the one in the treble clef, but this is what's in the notation, so I followed it.

8' only

"O Ewigkeit, du Donner Wort" (#208b)

8' only

"O Ewigkeit, du Donner-Wort" (#208a)

"Die Nacht ist vor der Thür" (#207)

8' only

"Jerusalem" (#206)

I played the second eighth note in the tenth measure of the bass clef as a D natural, although in the original notation, there's no indication to do this.  It sounded wrong as a D#, though.

8' and 4'

"Wacht auf, ruft uns die Stimme" (#205)

"Nun lasst uns den Leib begraben" (#204)

This was also #77.

"So wünsch' ich nun ein' gute Nacht" (#203b)

16', 8', and 4'

"So wünsch' ich nun ein' gute Nacht" (#203a)

16', 8', and 4'

"Ach, wann werd' ich dahin kommen" (#202)

8' and 4'

"Herzlich lieb hab' ich dich, O Herr" (#201)

Because this tune is so long (and I even had to squeeze in a few notes at the end of the last line), I didn't label the alternate notes and second alternate notes like I usually do.  They're pretty obvious, anyway.

16', 8', and 4'