"Straf mich nicht in deinem Zorn" (#143)

16', 8', 4'

"Ach, was soll ich Sünder machen" (#142)

16', 8', 4'

The little lines above and below the staff mark where individual instances of alternate notes abut.

"O Jesu, du edle Gabe" (#141)

This is the second piece to mix time signatures (the first was "Brich entzwey, mein armes Herze" [#111]) and the first piece to include dynamic markings.

16', 8', and 4'

"Herr, ich habe mißgehandelt" (#140b)

16', 8', and 4'