Thursday, January 13, 2022

"Christ fuhr gen Himmel" (#41)

 

Like the last tune, this one has a different structure:  there's one section that's to be played three times and then a second section that's common to both tunes.

Thursday, January 6, 2022

"Christ ist erstanden von der Marter" (#40)

 

This tune has a different structure:  there's one section that's repeated (there's a note saying to play it three times, and I used these repetitions to incorporate the alternate notes) and then a separate section that's played just once.  This last section is also used in #41 (which has the same structure), and/so I broke up the notation in such a way that I can re-use that last section for the next tune.

Thursday, December 2, 2021

"Christ, unser Herr, zum Jordan kam" (#35)

 

In the manuscript, there's no natural sign in front of the F in the first measure of the third line, but it sounded wrong as an F#.

Thursday, November 25, 2021

"Wir gläuben all' an einen Gott, Schöpfer" (#34b)

 

Like the last one, I split the notation into two sections because this is a longer tune, and I used 16', 8', and 4'.

This is the first tune with an Amen cadence.


Alternate notes:


Amen cadence:

Thursday, November 18, 2021

"Wir gläuben all' an einen Gott, Schöpfer" (#34a)

 

In the first set of alternate notes, one of the changes is to insert a break into the first phrase (in between the second and third measures).  Because the notes are the same, however, there wasn't a way to indicate this in my notation.

Because this is a longer tune, I split the notation into two sections.

I used 16', 8', and 4'.


First set of alternate notes:


Second set of alternate notes:

Thursday, November 11, 2021

"Mensch, willt du leben seliglich" (#33)

 

The title for this tune isn't in the Register, but I think I found it.  I could sort of make out Telemann's handwriting, and then I did a bit of research.