"Wie schön leuchtet der Morgen-Stern" (#99)

"Jesus, Jesus, nichts, als Jesus" (#98b)

"Jesus, Jesus, nichts, als Jesus" (#98a)

"Da Jesus an dem Creuze stund" (#97)

As with "Christ, unser Herr, zum Jordan kam" (#35), there's an instance where a note is given an accidental (G# in the bass clef in the fourth measure), but the second instance of that note in that measure didn't sound right with the same accidental.  Actually, I didn't notice until I did the digital notation that I'd played it as a natural.  I kept what I had though.  Initially, this was partially because I didn't want to have to re-learn and re-record the piece and partially because I think a G# just sounds wrong, but when I lookt at the piece again later, I realized that there's a succession of ascending half steps in that phrase (G# A, F# G, D# E, and A# B), and this seems to confirm that it should be a G natural.

This tune was also #11 and #12.

16' and 8'

"O Traurigkeit, o Herzeleid" (#96)

16' and 8'

"Meinen Jesum laß ich nicht, weil" (#95c)

"Meinen Jesum laß ich nicht, weil" (#95b)

"Meinen Jesum laß ich nicht, weil" (#95a)

16', 8', and 4'

"Jesulein, du bist mein" (#94)

8' and 4'

"Das Jesulein soll doch" (#93)

"Das neugebohrne Kindelein" (#92)

8' and 4'

"Das alte Jahr vergangen ist" (#91b)

As with the previous tune, above the tune itself, the title is given as "Das alte Jahr vergangen ist."  In the Register, there are two titles that start like this:  "Das alte Jahr vergangen ist, ein" and "Das alte Jahr vergangen ist, wir."  I'm not sure which this is.

16', 8', and 4'